This second edition of Current Approaches in Drama Therapy offers a revised and updated comprehensive compilation of the primary drama therapy methods and models that are being utilized and taught in the United States and Canada, including four new approaches. It is intended as a basic textbook for the field of drama therapy.
This is the first one-volume survey of American drama, from 1945–1990, comprehensively covering the most exciting and prolific period in its history. Christopher Bigsby takes a fresh look at the major figures who have shaped postwar American drama, exploring the works of Eugene O'Neill, Tennessee Williams, Arthur Miller, Edward Albee, David Mamet, and Sam Shepard. Bigsby also looks at Broadway and at the theatre which geared itself to the experiences of race and gender, examining the works of Lorraine Hansberry, August Wilson, and Marsha Norman, among others.
Competition for acting work is fierce and talent is not necessarily enough. Actors need all the help they can get with all aspects of the profession. Now in its fifth edition, completely revised and updated, this practical, comprehensive guide contains invaluable information and advice to enable actors to succeed in the business. Written with honesty, humour and thoroughness, An Actor's Guide to Getting Work draws on the author's rich experience in the field to offer advice to both the novice and the seasoned performer. New material in this fifth edition includes what drama schools are looking for, approaching Shakespeare for audition, professional email etiquette, using the internet as a self-marketing tool, and many more useful checklists and updated insights into the profession.
A wholly unique A to Z reference for modern drama, this authoritative encyclopedia differs from others in highlighting the interdisciplinary nature of drama by placing playwrights and plays within their social, cultural, and historical contexts. Over 450 leading scholars provide students, general readers, and scholars with clearly written and concise entries that steer clear of technical jargon while also offering advanced readers new perspectives on familiar figures, movements, trends, issues, and texts. The Encyclopedia concentrates on drama in the literary sense rather than as performance.